Showing posts with label relationship poetry. Show all posts
Showing posts with label relationship poetry. Show all posts

8/11/17

Depression, Too, Is a Kind of Fire - Taylor Mali


I’m an idiot because once
before we were married she asked me whether I knew
that we would not be having children
if we did get married, and I said yes.

And because she knew I was lying,
she asked if I was really okay with that.
And because I’m an idiot I said yes again.

And once during a fight, not married
more than two years, she said she felt like my first wife,
and I, like an idiot, assured her that she was.

She worked out at the gym five times a week
and smoked as many packs of ultra lights,
and I’m an idiot because when I asked her why,
She said, Because I hate myself and I want to die.
And I laughed and said something I don’t recall,
something completely and utterly insufficient.

From the roof of our apartment,
I saw 40 or 50 people jump from the towers
on a Tuesday morning—we used to be able to see them to the south,
just as, to the north, we can still see
(and by “we” I guess I mean now just me)
the Empire State Building,
which still steeps me in gratitude
because I’m an idiot—
out of the smoke with arms flailing.
And I swear I saw a perfect swan.

And I was going to write a poem
about how fire is the only thing
that can make a person jump out a window.

And maybe I’m an idiot for thinking I could have saved her—
call me her knight in shattered armor—
could have loved her more,
or told the truth about children.

But depression, too, is a kind of fire.
And I know nothing of either.

8/10/17

LENS - Andrea Gibson


I’ve been practicing gratitude.
I’ve been skipping entire weeks.
Practicing a wider lens. Listening
for the bully’s heartbeat
Hearing it in my own chest.

I’ve been remembering the time I cried
in a cloud of tear gas at a peaceful protest.
How I decided I was too soft to last,
and then I decided to be softer.

I’ve been remembering way way back
to the moment they told me Jesus walked on water.
How I knew whatever I’d grow up to believe

I would never try to wrestle a miracle
away from anyone’s reason to live.
I’ve been remembering how I wrestled a miracle
away from your reason to live.

If only shame could wash me clean,
but that is never how healing works.
Nobody ever won anything from anyone
thinking the whole world was out of their league.
I’m sorry you know

what I look like when no one is looking.
I don’t expect anyone to believe
in justice and forgiveness at the same time.

If it’s any consolation
I feel like a ferris wheel in a snowbank
twenty years after they shut down the park.

If it’s any consolation I’ve been living in my head
whenever anyone tells me I have a good heart.
And I think about you. I think about you. 

11/30/16

Survival Poem #17 - Marty McConnell

because this is what you do. get up.
blame the liquor for the heaviness. call in late
to work. go to the couch because the bed
is too empty. watch people scream about love
on Jerry Springer. count the ways
it could be worse. it could be last week
when the missing got so big
you wrote him a letter
and sent it. it could be yesterday, no work
to go to, whole day looming.
it could be last month
or the month before, when you still
thought maybe. still carried plans
around with you like talismans.
you could have kissed him last night.
could have gone home with him, given in,
cried after, softly, face to the wall, his heavy arm
around you, hand on your stomach, rubbing.
shower. remember your body. water
hotter than you can stand. sit
on the shower floor. the word
devastated ringing the tub. buildings
collapsed into themselves. ribs
caving toward the spine. recite
the strongest poem you know. a spell
against the lonely that gets you
in crowds and on three hours’ sleep.
wonder where the gods are now.
get up. because death is not
an alternative. because this is what you do.
air like soup, move. door, hallway, room.
pants, socks, shoes. sweater. coat. cold.
wish you were a bird. remember you
are not you, now. you are you
a year from now. how does that
woman walk? she is not sick or sad.
doesn’t even remember today.
has been to Europe. what song
is she humming? now. right now.
that’s it.

9/4/16

New World - Louise Glück

As I saw it,
all my mother's life, my father
held her down, like
lead strapped to her ankles.

She was
buoyant by nature;
she wanted to travel,
go to theater, go to museums.
What he wanted
was to lie on the couch
with the Times
over his face,
so that death, when it came,
wouldn't seem a significant change.

In couples like this,
where the agreement
is to do things together,
it's always the active one
who concedes, who gives.
You can't go to museums
with someone who won't
open his eyes.

I thought my father's death
would free my mother.
In a sense, it has:
she takes trips, looks at
great art. But she's floating.
Like some child's balloon
that gets lost the minute
it isn't held.
Or like an astronaut
who somehow loses the ship
and has to drift in space
knowing, however long it lasts,
this is what's left of being alive: she's free
in that sense.
Without relation to earth.

7/30/16

Semi Semi Dash - Jillian Weise

The last time I saw Big Logos he was walking
to the Quantum Physics Store to buy magnets.
He told me his intentions. He was wearing

a jumpsuit with frayed cuffs. I thought the cuffs
got that way from him rubbing them against
his lips but he said they got that way

with age. We had two more blocks to walk.
“Once I do this, what are you going to do?”
he asked. “I wish you wouldn’t do it,” I said.

Big Logos bought the magnets and a crane
delivered them to his house. After he built
the 900-megahertz superconductor, I couldn’t go

to his house anymore because I have all kinds
of metal in my body. I think if you love someone,
you shouldn’t do that, build something like that,

on purpose, right in front of them.

3/3/16

Breakfast - Jacques Prévert (translation by Lawrence Ferlinghetti)

He put the coffee
In the cup
He put the milk
In the cup of coffee
He put the sugar
In the café au lait
With the coffee spoon
He stirred
He drank the café au lait
And he set down the cup
Without a word to me
He lit
A cigarette
He made smoke-rings
With the smoke
He put the ashes
In the ash-tray
Without a word to me
Without a look at me
He got up
He put
His hat upon his head
He put his raincoat on
Because it was raining
And he left
In the rain
Without a word
Without a look at me
And I       I took
My head in my hand
And I cried.

12/31/15

A Simple Story - Gwen Harwood

A visiting conductor
     when I was seventeen,
took me back to his hotel room
     to cover the music scene.

I'd written a composition.
     Would wonders never cease –
here was a real musician
     prepared to hold my piece.

He spread my score on the counterpane
     with classic casualness,
and put one hand on the manuscript
     and the other down my dress.

It was hot as hell in The Windsor.
     I said I'd like a drink.
We talked across gin and grapefruit,
     and I heard the ice go clink

as I gazed at the lofty forehead
     of one who led the band,
and guessed at the hoarded sorrows
     no wife could understand.

I dreamed of a soaring passion
     as an egg might dream of flight,
while he read my crude sonata.
     If he'd said, ‘That bar's not right,’

or, ‘Have you thought of a coda?’
     or, ‘Watch that first repeat,’
or, ‘Modulate to the dominant’
     he'd have had me at his feet.

But he shuffled it all together,
     and said, ‘That's lovely, dear,’
as he put it down on the washstand
     in a way that made it clear

that I was no composer.
     And being young and vain,
removed my lovely body
     from one who'd scorned my brain.

I swept off like Miss Virtue
     down dusty Roma Street,
and heard the goods trains whistle
     WHO? WHOOOOOO? in aching heat.

12/11/15

It's Good To Be Here - Alden Nowlan

I'm in trouble, she said
to him. That was the first
time in history that anyone
had ever spoken of me.

It was 1932 when she
was just fourteen years old
and men like him
worked all day for
one stinking dollar.

There's quinine, she said.
That's bullshit, he told her.

Then she cried and then
for a long time neither of them
said anything at all and then
their voices kept rising until
they were screaming at each other
and then there was another long silence and then
they began to talk very quietly and at last he said
well, I guess we'll just have to make the best of it.

While I lay curled up,
my heart beating,
in the darkness inside her.

Habits - Nikki Giovanni

i haven’t written a poem in so long
i may have forgotten how
unless writing a poem
is like riding a bike
or swimming upstream
or loving you
it may be a habit that once acquired
is never lost

but you say i’m foolish
of course you love me
but being loved of course
is not the same as being loved because
or being loved despite
or being loved

if you love me why
do i feel so lonely
and why do i always wake up alone
and why am i practicing
not having you to love
i never loved you that way

One Art - Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

--Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

Rainy Morning - Louise Glück

You don't love the world.
If you loved the world you'd have
images in your poems.

John loves the world. He has
a motto: judge not
lest ye be judged. Don't

argue this point
on the theory it isn't possible
to love what one refuses
to know: to refuse

speech is not
to suppress perception.

Look at John, out in the world,
running even on a miserable day
like today. Your
staying dry is like the cat's pathetic
preference for hunting dead birds: completely

consistent with your tame spiritual themes,
autumn, loss, darkness, etc.

We can all write about suffering
with our eyes closed. You should show people
more of yourself; show them your clandestine
passion for red meat.

I Am Not Yours - Sara Teasdale

I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.

You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.

Oh plunge me deep in love -- put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.

I Feel Safe When You Lie - Derrick Brown

In somno securitas.

She slid into bed
easy as a knitting needle
into the spine of a hare.

I threw a bag of chalk into the air
across her body
while she slept.

Little rabbit.

I lit black lights into action
watched the frenzied prints emerge
from her breasts, neck, and thighs,
souvenirs of desire.

I breathed across her tight, sand-tanned stomach.
Chalk dust blew into her nose and she awoke.

I asked her
If the man made love to her with all his might?
Did it feel the same?
Did his beads of sweat fall upon the necklace I worked for?
Did he extend the milky antennae of her legs into the air?
Did you tune in God on the meat hook channel?

She said:
“My dear.
Slow, jealous detective,
Come sleep by me.
These prints are yours
And always yours.
They simply will not wash away.
You have had your head in other people’s hands for so long
you forget what your own touch looked like.”

The faders of twilight approached.
I curled into her with my arms,
dead across her ribs,
feeling the rate of her heartbeat increase
as she wonders if I can feel a lie through her nightgown.

It is a feeling I get
when ice-skating through the rising crackles of sunshine.

In sleep, there is safety.

If You Forget Me - Pablo Neruda

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine

12/10/15

Escapist's Song - Theodore Spencer

The first woman I loved, he said--
Her skin was satin and gold.
The next woman I loved, he said--
Her skin was satin and gold.
The third woman I loved, he said--
Was made in a different mold.
She was deeper than me, and said so;
She was stronger than me, and said so;
She was wiser than me, and proved it;
I shivered, and grew cold.
The fourth woman I loved, he said--
Her skin was satin and gold.

5/12/15

Void - Louise Glück

I figured out why you won’t buy furniture.
You won’t buy furniture because you’re depressed.

I’ll tell you what’s wrong with you: you’re not
gregarious. You should
look at yourself; the only time you’re totally happy
is when you cut up a chicken.

Why can’t we talk about what I want to talk about?
Why do you always change the subject?

You hurt my feelings. I do not mistake
reiteration for analysis.

You should take one of those chemicals,
maybe you’d write more.
Maybe you have some kind of void syndrome.

You know why you cook? Because
you like control. A person who cooks is a person who likes
to create debt.

Actual people! Actual human beings
sitting on our chairs in our living room!
I’ll tell you what: I’ll learn
bridge.

Don’t think of them as guests, think of them
as extra chickens. You’d like it.
If we had more furniture
you’d have more control.