A
visiting conductor
when I was seventeen,
took
me back to his hotel room
to cover the music scene.
I'd
written a composition.
Would wonders never cease –
here
was a real musician
prepared to hold my piece.
He
spread my score on the counterpane
with classic casualness,
and
put one hand on the manuscript
and the other down my dress.
It
was hot as hell in The Windsor.
I said I'd like a drink.
We
talked across gin and grapefruit,
and I heard the ice go clink
as
I gazed at the lofty forehead
of one who led the band,
and
guessed at the hoarded sorrows
no wife could understand.
I
dreamed of a soaring passion
as an egg might dream of flight,
while
he read my crude sonata.
If he'd said, ‘That bar's not right,’
or,
‘Have you thought of a coda?’
or, ‘Watch that first repeat,’
or,
‘Modulate to the dominant’
he'd have had me at his feet.
But
he shuffled it all together,
and said, ‘That's lovely, dear,’
as
he put it down on the washstand
in a way that made it clear
that
I was no composer.
And being young and vain,
removed
my lovely body
from one who'd scorned my brain.
I
swept off like Miss Virtue
down dusty Roma Street,
and
heard the goods trains whistle
WHO? WHOOOOOO? in aching heat.
Came here through: https://www.smh.com.au/entertainment/books/how-sexual-harassment-affected-the-careers-of-two-australian-writers-20180117-h0jvi3.html . I had been reading my Harwood this morning and bumped into this to find a poems title to pursue.. more greatness - though this not my favorite of hers - she remains my favorite Australian poet who just-so-happens to have been a woman. I am grateful every time I browse her collected works.
ReplyDeleteThanks for the link - I shall read the Hewett memoir "Wild Card", also the Collected Works of Harwood. Am just learning A Simple Story now; it's simply yet superbly written.
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