HEAVENLY CREATURE - Cristin O'Keefe Aptowicz

For Missy

I remember the day you showed up at the bus stop:

quiet, pale, a thick veil of dark hair, we stared

at each other through overgrown bangs. We were just

beginning our dry sentences at Baldi Middle School.

In those days, our jeans would be tattooed weekly

with the coded names of every boy who flicked

his eyes our way. The backs of our hands became

necks and lips for practicing on. I once even

doused my backpack with my brother’s cologne,

a sad effort to at least smell like I’d had a boyfriend.

Walking around your housing complex, we’d stare

through the windshields of every man who drove by.

We thought of our bodies as dangerous chemicals,

our breasts as match tips waiting for love’s flinty gaze

We were sure all the boys around had firecracker hearts

just waiting to explode. And look, I know I know I know

I am not telling the whole truth. Things in your house

were different, were not right, were accepted because

maybe no one knew any better, or maybe they did

and didn’t care. And whenever the whole dark truth

would spill out, I remember I’d gather my features

into the center of my face, unable to figure out

the right combination for my concern, for fresh alarm.

I’d forget how to sit, how to blink, breathe. It’s true,

sometimes you look back and all the things

you should have done rise up like volcanic islands,

whole civilizations, whole existences, whole lifetimes.

But what did we know then? Fourteen, I took

the hammer of my dumb tongue and tried to tap

comfort into your impossibly small ears,

your impossibly small fists. We were kids,

and the future was our dependable escape plan.

We’d be gone soon, so you had just better suffer through

it all now. We’d be gone, so until then, I tried

to make you laugh. I’m sorry I never realized

I could’ve unlocked your exit earlier, that I

could’ve released your story from the shogun

of my own throat. The letters you send me now

are like postcards from that hopeful future:

you are okay, you are alright, with no return address.

So this poem is a telegram to let you know that

I still think about you, that I’m still proud of you,

that when I remember you, I always remember you

as beautiful.

in which you anxiously anticipate events that will not occur - Mira Gonzalez

in the end he told you that he didn’t want you

but he never did you the courtesy of leaving

out of necessity, you reconstructed your identity around being alone

though you almost never thought of it in those terms

you spent time allowing all the wrong people to think you are beautiful

watching them blindly perform unreciprocated feelings onto you

at a distance twice removed from the act

because you refuse to know the feeling of not loving anything

though the feeling will force itself into you sometimes

everyone will tell you what the most painful part is

they will say it’s the moment nothing is left for you in him

or it’s the moment he finds you in someone else

but nobody will tell you that it is possible

to move further from reality every day

until there are no parts of you in anything

The Swan At Edgewater Park - Ruth L. Schwartz

Isn’t one of your prissy richpeoples’ swans

Wouldn’t be at home on some pristine pond

Chooses the whole stinking shoreline, candy wrappers,

condoms

          in its tidal fringe

Prefers to curve its muscular, slightly grubby neck

          into the body of a Great Lake,

Swilling whatever it is swans swill,

Chardonnay of algae with bouquet of crud,

While Clevelanders walk by saying Look

          at that big duck!

Beauty isn’t the point here; of course

          the swan is beautiful,

But not like Lorie at 16, when

Everything was possible—no

More like Lorie at 27

Smoking away her days off in her dirty kitchen,

Her kid with asthma watching TV,

The boyfriend who doesn’t know yet she’s gonna

Leave him, washing his car out back—and

He’s a runty little guy, and drinks too much, and

It’s not his kid anyway, but he loves her, he

Really does, he loves them both—

That’s the kind of swan this is.

Crow, Scarecrow - Leonard Gontarek

A crow sits on the head

of a scarecrow. I see myself in that.

Which part of fuck off don't I understand.

Five of Swords, for all my death girls - Marty McConnell

Betsy’s in the second stall practicing

with a plastic razor, so I lie on the floor

to listen for the janitor, the cart’s

loose wheel squeaking our names down

the evening-empty hallway. the weeks

she was at Lutheran General, I didn’t

go to visit. but I know from her stories

what the doors looked like, closing,

how they strapped her to the bed

for her own protection. we’re 17

and I adore her despair. I think she’s shining,

fearless, carving herself a body that’s nothing

but light. on the way home, she lets me

drive. tells me there’s a trick

to disintegrating in increments subtle enough

not to trip the alarm wires, to hiding cigarettes

and death from therapists and parents and this,

all my girls have had down: how to go and go

until the night is too fragile or grimy

and then the fanfare, the wild dive

from the spire, the water tower, the clock

yanking its hands back, how to dangle

from the spotlight once everybody’s

watching. 1999: we lie on Angie’s futon

searching the phonebook for institutions

that will take her without insurance, curl

our bodies into still commas of want

to wait for morning. they take

her shoelaces, and her cigarettes, and I watch.

they give her forms and more forms

and I watch. they walk her to the room

with its single bed and single dresser

and unsmashable mirror and I ride

the long, high buzz of the door back

to New York. 2003: Georgiana is an expert

in suicide and poetry. her medicine cabinet rattles

like a jar of vengeful bees. she wants me

to find her. all our idols are martyrs, not one of them

a saint. her hair drops like cabernet all the way

to her waist. and how she needs me. my simple body

becomes bread in her mouth, I’m whiskey,

an obliteration who’ll get up in the morning

to call the hospital and make coffee. oh,

my pretty ones in love with the beast

of disappearing, there are many ways

to give birth. not one is without pain.

there are almost as many ways to die

as there are to love. tonight, I drink to you

who chose to keep going, who moved

through my body like a chemical

I could not keep. the night stands outside

like a hungry dog on an old chain, the scent

of lilies rising from the half moons of his teeth.

go ahead. tuck your babies into bed

and lovers’ hair behind their soft ears, as if

there’s nothing left to fear.

twilight musings - Charles Bukowski

the drifting of the mind.

the slow loss, the leaking away.

one’s demise is not very interesting.

from my bed I watch 3 birds through the east window:

one coal black, one dark brown, the

other yellow.

as night falls I watch the red lights on the bridge blink on and off.

I am stretched out in bed with the covers up to my chin.

I have no idea who won at the racetrack today.

I must go back into the hospital tomorrow.

why me?

why not?