One Art - Elizabeth Bishop

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.

Then practice losing farther, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or

next-to-last, of three loved houses went.

The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.

--Even losing you (the joking voice, a gesture

I love) I shan’t have lied. It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.

There is no greater crime than leaving - Bertolt Brecht

There is no greater crime than leaving.

In friends, what do you count on? Not on what they do.

You never can tell what they will do. Not on what they are. That

May change. Only on this: their not leaving.

He who cannot leave cannot stay. He who has a pass

In his pocket – will he stay when the attack begins? Perhaps

He will not stay.

If it goes badly with me, perhaps he will stay. But if it goes

Badly with him, perhaps he will leave.

Fighters are poor people. They cannot leave. When the attack

Begins they cannot leave.

He who stays is known. He who has left was not known. What left

Is different from what was here.

Before we go into battle I must know: have you a pass

In your coat pocket? Is a plane waiting for you behind the battlefield?

How many defeats do you want to survive? Can I send you away?

Well, then, let’s not go into battle.

Lamium - Louise Glück

This is how you live when you have a cold heart.

As I do: in shadows, trailing over cool rock,

under the great maple trees.

The sun hardly touches me.

Sometimes I see it in early spring, rising very far away.

Then leaves grow over it, completely hiding it. I feel it

glinting through the leaves, erratic,

like someone hitting the side of a glass with a metal spoon.

Living things don't all require

light in the same degree. Some of us

make our own light: a silver leaf

like a path no one can use, a shallow

lake of silver in the darkness under the great maples.

But you know this already.

You and the others who think

you live for truth and, by extension, love

all that is cold.

The Geranium - Theodore Roethke

When I put her out, once, by the garbage pail,

She looked so limp and bedraggled,

So foolish and trusting, like a sick poodle,

Or a wizened aster in late September,

I brought her back in again

For a new routine--

Vitamins, water, and whatever

Sustenance seemed sensible

At the time: she'd lived

So long on gin, bobbie pins, half-smoked cigars, dead beer,

Her shriveled petals falling

On the faded carpet, the stale

Steak grease stuck to her fuzzy leaves.

(Dried-out, she creaked like a tulip.)

The things she endured!--

The dumb dames shrieking half the night

Or the two of us, alone, both seedy,

Me breathing booze at her,

She leaning out of her pot toward the window.

Near the end, she seemed almost to hear me--

And that was scary--

So when that snuffling cretin of a maid

Threw her, pot and all, into the trash-can,

I said nothing.

But I sacked the presumptuous hag the next week,

I was that lonely.

Rainy Morning - Louise Glück

You don't love the world.

If you loved the world you'd have

images in your poems.

John loves the world. He has

a motto: judge not

lest ye be judged. Don't

argue this point

on the theory it isn't possible

to love what one refuses

to know: to refuse

speech is not

to suppress perception.

Look at John, out in the world,

running even on a miserable day

like today. Your

staying dry is like the cat's pathetic

preference for hunting dead birds: completely

consistent with your tame spiritual themes,

autumn, loss, darkness, etc.

We can all write about suffering

with our eyes closed. You should show people

more of yourself; show them your clandestine

passion for red meat.

How to kill a living thing - Eibhlin Nic Eochaidh

Neglect it

Criticize it to its face

Say how it kills the light

Traps all the rubbish

Bores you with its green

Continually

Harden your heart

Then

Cut it down close

To the root as possible

Forget it

For a week or a month

Return with an axe

Split it with one blow

Insert a stone

To keep the wound wide open.