3/2/16

The Crunch - Charles Bukowski

too much too little

too fat
too thin
or nobody.

laughter or
tears

haters
lovers

strangers with faces like
the backs of
thumb tacks

armies running through
streets of blood
waving winebottles
bayoneting and fucking
virgins.

an old guy in a cheap room
with a photograph of M. Monroe.

there is a loneliness in this world so great
that you can see it in the slow movement of
the hands of a clock

people so tired
mutilated
either by love or no love.

people just are not good to each other
one on one.

the rich are not good to the rich
the poor are not good to the poor.

we are afraid.

our educational system tells us
that we can all be
big-ass winners

it hasn't told us
about the gutters
or the suicides.

or the terror of one person
aching in one place
alone

untouched
unspoken to

watering a plant.

people are not good to each other.
people are not good to each other.
people are not good to each other.

I suppose they never will be.
I don't ask them to be.

but sometimes I think about
it.

the beads will swing
the clouds will cloud
and the killer will behead the child
like taking a bite out of an ice cream cone.

too much
too little

too fat
too thin
or nobody

more haters than lovers.

people are not good to each other.
perhaps if they were
our deaths would not be so sad.

meanwhile I look at young girls
stems
flowers of chance.

there must be a way.

surely there must be a way that we have not yet
thought of.

who put this brain inside of me?

it cries
it demands
it says that there is a chance.

it will not say
"no."

2/18/16

night animal - Charles Bukowski

I have never seen such an animal
except perhaps once,
but that is another story--
there it stood,
no lion
yet no dog
no deer yet deer
frozen nose
and eye, all eye gathering all the
moonlight that hung in the trees;
and everywhere the people slept;
I saw bombers over Brazil,
cathedrals choked in silk,
the gray dice of Vegas,
a Van Gogh over the kitchen sink.

home, I poured a drink
took off my gloves           you god damned thing
why could you have not been a woman
with all your beauty,
with all your beauty
I have not found her yet.

2/15/16

Celestial Music - Louise Glück

I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to god,
she thinks someone listens in heaven.
On earth she's unusually competent.
Brave, too, able to face unpleasantness.

We found a caterpillar dying in the dirt, greedy ants crawling over it.
I'm always moved by weakness, by disaster, always eager to oppose vitality.
But timid, also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
according to nature. For my sake, she intervened,
brushing a few ants off the torn thing, and set it down across the road.

My friend says I shut my eyes to god, that nothing else explains
my aversion to reality. She says I'm like the child who buries her head in the pillow
so as not to see, the child who tells herself
that light causes sadness—
My friend is like the mother. Patient, urging me
to wake up an adult like herself, a courageous person—

In my dreams, my friend reproaches me. We're walking
on the same road, except it's winter now;
she's telling me that when you love the world you hear celestial music:
look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
like brides leaping to a great height—
Then I'm afraid for her; I see her
caught in a net deliberately cast over the earth—

In reality, we sit by the side of the road, watching the sun set;
from time to time, the silence pierced by a birdcall.
It's this moment we're both trying to explain, the fact
that we're at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn't move.
She's always trying to make something whole, something beautiful, an image
capable of life apart from her.
We're very quiet. It's peaceful sitting here, not speaking, the composition
fixed, the road turning suddenly dark, the air
going cool, here and there the rocks shining and glittering—
it's this stillness that we both love.
The love of form is a love of endings.

2/14/16

for one I knew - Charles Bukowski

Of all the iron beds in paradise
yours was the most cruel
and I was smoke in your mirror
and you sluiced your hair with jade,
but you were a woman and I was a
boy, but boy enough for an iron bed
and man enough for wine
and you.

now I am a man,
man enough for all,
and you are, you
are
        old

not now so cruel,

now your iron bed
is empty.

2/10/16

Sonnet (from "50 Sonnets") - Eleanor Brown

Not if you crawled from there to here, you hear?
Not if you begged me, on your bleeding knees.
Not if you lay exhausted at my door,
and pleaded with me for a chance.
Not if you wept (am I making this clear?)
or found a thousand different words for 'Please',
ten thousand for 'I’m sorry'; I’d ignore
you so sublimely; every new advance
would meet with such complete indifference.
Not if you promised me fidelity.
Not if you meant it. What impertinence,
then, is this voice that murmurs, 'What if he
didn’t? That isn’t his line of attack.
What if he simply grinned, and said, I’m back?'

"Some people don't need much to live on" - Henry Rollins

Some people don't need much to live on
Hell some folks live on pennies a day
I was right about to wrap my arms around that girl
But at the last minute
I jumped back and wrapped them around myself