remains - Charles Bukowski

things are good as I am not dead yet

and the rats move in the beercans,

the papersacks shuffle like small dogs,

and her photographs are stuck onto a painting

by a dead German and she too is dead

and it took 14 years to know her

and if they give me another 14

I will know her yet . . .

her photos stuck over the glass

neither move nor speak,

but I even have her voice on tape,

and she speaks some evenings,

her again

so real she laughs

says the thousand things,

the one thing I always ignored;

this will never leave me:

that I had love

and love died;

a photo and a piece of tape

is not much, I have learned late,

but give me 14 days or 14 years,

I will kill any man

who would touch or take

whatever's left.

Poem To Be Read at 3 a.m. - Donald Justice

Excepting the diner

On the outskirts

The town of Ladora

At 3 a.m.

Was dark but

For my headlights

And up in

One second-story room

A single light

Where someone

Was sick or

Perhaps reading

As I drove past

At seventy

Not thinking

This poem

Is for whoever

Had the light on

One Art - Elizabeth Bishop

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.

Then practice losing farther, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or

next-to-last, of three loved houses went.

The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.

--Even losing you (the joking voice, a gesture

I love) I shan’t have lied. It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.

There is no greater crime than leaving - Bertolt Brecht

There is no greater crime than leaving.

In friends, what do you count on? Not on what they do.

You never can tell what they will do. Not on what they are. That

May change. Only on this: their not leaving.

He who cannot leave cannot stay. He who has a pass

In his pocket – will he stay when the attack begins? Perhaps

He will not stay.

If it goes badly with me, perhaps he will stay. But if it goes

Badly with him, perhaps he will leave.

Fighters are poor people. They cannot leave. When the attack

Begins they cannot leave.

He who stays is known. He who has left was not known. What left

Is different from what was here.

Before we go into battle I must know: have you a pass

In your coat pocket? Is a plane waiting for you behind the battlefield?

How many defeats do you want to survive? Can I send you away?

Well, then, let’s not go into battle.

Lamium - Louise Glück

This is how you live when you have a cold heart.

As I do: in shadows, trailing over cool rock,

under the great maple trees.

The sun hardly touches me.

Sometimes I see it in early spring, rising very far away.

Then leaves grow over it, completely hiding it. I feel it

glinting through the leaves, erratic,

like someone hitting the side of a glass with a metal spoon.

Living things don't all require

light in the same degree. Some of us

make our own light: a silver leaf

like a path no one can use, a shallow

lake of silver in the darkness under the great maples.

But you know this already.

You and the others who think

you live for truth and, by extension, love

all that is cold.

The Geranium - Theodore Roethke

When I put her out, once, by the garbage pail,

She looked so limp and bedraggled,

So foolish and trusting, like a sick poodle,

Or a wizened aster in late September,

I brought her back in again

For a new routine--

Vitamins, water, and whatever

Sustenance seemed sensible

At the time: she'd lived

So long on gin, bobbie pins, half-smoked cigars, dead beer,

Her shriveled petals falling

On the faded carpet, the stale

Steak grease stuck to her fuzzy leaves.

(Dried-out, she creaked like a tulip.)

The things she endured!--

The dumb dames shrieking half the night

Or the two of us, alone, both seedy,

Me breathing booze at her,

She leaning out of her pot toward the window.

Near the end, she seemed almost to hear me--

And that was scary--

So when that snuffling cretin of a maid

Threw her, pot and all, into the trash-can,

I said nothing.

But I sacked the presumptuous hag the next week,

I was that lonely.