He walks the high wire in his sleep.
The tent is blue, it is perpetual
afternoon. He is walking between
the open legs of his mother
and the grave. Always. The audience knows this
is out of their hands. The audience
is fathers whose kites are lost, children
who want to be terrified into joy.
He is so high above them, so capable
(with a single, calculated move)
of making them care for him
that he's sick of the risks
he never really takes.
The tent is blue. Outside is a world
that is blue. Inside him
a blueness that could crack
like china if he ever hit bottom.
Every performance, deep down,
he tries one real plunge
off to the side, where the net ends.
But it never ends.
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