The Unfree Man - Friedrich Nietzsche

A. He stands and harks: what does he hear?

     What sound is ringing in his ear?

     What struck him down? What mortal fear?

B. Who once wore chains, will always think

     That he is followed by their clink.

1988 - Andrea Gibson

It was the year your mother

put her cigarette out on your arm.

The year you forgave her so hard

you stopped crying for good.

I was on the other side of the world

watching my father shine his knives.

I was trying to get the nerve to tell him

who to kill.

But he never figured out

there was someone to kill.

Collected knives like art

and hung them on our walls.

That autumn I made a person

by stuffing a pile of dead leaves

into an old pair of clothes.

Maybe you did too. Maybe

you found a pumpkin for a head

and dug it hollow with your hands.

Friend, if memories had been seeds

we could have chosen not to plant

do you think we would have ever found each other?

Do you believe in the magnet of scars? I believe

people who have been through hell

will build their love from the still burning coals.

Our friendship is a well-heated home

where we always agree on what is art

and what is something to sharpen

and hold in our ready hands.

VOLUNTARY - JR Walsh

My little sister said why a lot. Why this? Why that? Why everything.

My father said, Stop trying to answer every question every time.

So I said, She wants to know why so I’m telling her.

My father said, She doesn’t care. It’s involuntary.

She’s two years old and wants you to talk to her.

I’m tired of both of you. 

I didn’t ask why. 

My father left for work.

My sister wanted to know why.

So I said, To get away from you.

Then my mother said, Why’s your sister crying?

I didn’t answer why.

Maybe my father was right.

CONVERSATION WITH A STONE - Wisława Szymborska

I knock at the stone's front door.

“It's only me, let me come in.

I want to enter your insides,

have a look round,

breathe my fill of you.”

“Go away,” says the stone.       

“I'm shut tight.

Even if you break me to pieces,

we'll all still be closed.

You can grind us to sand,

we still won't let you in.”

I knock at the stone's front door.

“It's only me, let me come in.

I've come out of pure curiosity.

Only life can quench it.

I mean to stroll through your palace,

then go calling on a leaf, a drop of water.

I don't have much time.

My mortality should touch you.”

“I'm made of stone,” says the stone,

“and must therefore keep a straight face.

Go away.

I don't have the muscles to laugh.”

I knock at the stone's front door.

“It's only me, let me come in.

I hear you have great empty halls inside you,

unseen, their beauty in vain,

soundless, not echoing anyone's steps.

Admit you don't know them well yourself.”

“Great and empty, true enough,” says the stone,

“but there isn't any room.

Beautiful, perhaps, but not to the taste

of your poor senses.

You may get to know me, but you'll never know me through.

My whole surface is turned toward you,

all my insides turned away.”

I knock at the stone's front door.

“It's only me, let me come in.

I don't seek refuge for eternity.

I'm not unhappy.

I'm not homeless.

My world is worth returning to.

I'll enter and exit empty-handed.

And my proof I was there

will be only words,

which no one will believe.”

“You shall not enter,” says the stone.

“You lack the sense of taking part.

No other sense can make up for your missing sense of taking part.

Even sight heightened to become all-seeing

will do you no good without a sense of taking part.

You shall not enter, you have only a sense of what that sense

      should be,

only its seed, imagination.”

I knock at the stone's front door.

“It's only me, let me come in.

I haven't got two thousand centuries,

so let me come under your roof.”

“If you don't believe me,” says the stone,

“just ask the leaf, it will tell you the same.

Ask a drop of water, it will say what the leaf has said.

And, finally, ask a hair from your own head.

I am bursting with laughter, yes, laughter, vast laughter,

although I don't know how to laugh.”

I knock at the stone's front door.

“It's only me, let me come in.”

“I don't have a door,” says the stone.

"I’m looking for something to scare me out of my skin" - Henry Rollins

I’m looking for something to scare me out of my skin

I’m following myself

Playing jokes on myself

Injecting myself with nightmares

I wait in dark corners to jump out and scare myself

I’ve got to get away from myself

Popular Romance - Paul Guest

To hum in a smoke-dank alley a song by Elvis

was not the height of my love for you. To turn

my arm from its socket like a hateful thing

was not devotion only. To speak your name

like a spell to my imagined foes was not

peace, no, not ever. Rather, you were a stone

I licked and pretended to eat. You were

ever a dream of falling. An odor of smoke.

You were the design of my worst

crimes. What I stole for love added up.

It added up to nothing. To the air perfumed

by an absent woman. To a box

filled with crushed chalk. God save me

from the stars, once and for all—

I have had enough. Let me love anything

but that: let me go free and dream

of green oceans and the surf

that batters some other world to sleeplessness.

O. It is enough to whisper only

this. To speak to the flame in your breast

and hear nothing else. Once

I believed I could possess

what touched you: the worn sweater,

or the song on the radio

that meant nothing and all in that instant.

Against your door I pressed

my ear, and heard nothing, the whisper

of water, maybe, a breath of cool air—

the gossip of your absence—

and nothing in me could knock or wait,

and all around me the night

spread like water through a rag,

and I let my hands drop whatever they held.