REPLICAS - Lawrence Raab

We were tooling along in Fred’s old jalopy,

thrown off our game

because the directions to the lunatic asylum were confusing.

I decided not to mention how appropriate

getting lost might be, maybe later

having to battle the elements to stay alive.

I’d been reading the old myths

and liked to imagine sailing through the clashing rocks

with only an oar for a weapon,

which wasn’t the most useful idea since we were heading

south of Tampa, trying to find our old friend

Adam, who might be waiting for a visit.

On the other hand, I thought, and then recalled

Adam having said far too often: On the other hand––

a knife is up close and personal.

People didn’t like to hear that kind of thing,

but we were sure he meant no harm,

even if in fact he did. We figured by now

he’d have forgotten the dangerous inclinations

of his youth, those days when he insisted

we’d all been misled by the voices

in our heads, then turned into replicas

of the people we thought we were. “Of course,”

Adam explained, “certain men choose

to be tempted by sirens. Others just let it happen.”

I told Fred that last part made sense, or sounded

like it should. “Damn,” Fred replied,

having taken another wrong turn.

“Not every kind of craziness makes sense.

Believe me, you’ve got to draw the line somewhere.”

At first Adam was upset about being sent away,

but since then we’d heard

he’d grown accustomed to the quiet gardens

they let him putter about in. We imagined

him kneeling down in the soil

like his name-sake and weeding

something small and green,

wondering why he’d ever believed

what he had, or else why no one

had ever understood what he believed.

Or perhaps both thoughts vanished

while he concentrated on his task, half-listening

to the murmuring of the more distracted guests

as they explained to each other how easily

they had been deceived by their lives.

Watched Pot Apostrophes - Paul Guest

You will never boil.  You’ll go blind
not doing that. In space, your blood
will also refuse to boil.  No surprise
all the movies are dead wrong,
though my nerves aren’t soothed
whenever I’m bobbing in the vacuum
like an apple in ice water.
You are going to receive money.
And then you’ll spend it
on a fiberglass replica
of the sports car you wanted
when you were thirteen.
Or fifteen.  You may think this matters,
this discrepancy fluttering
in your face like a ragged moth.
Trust me, you'll summer in Ceylon.
When they decide to change
the name back.  When all
the maps at once go a little bad.
I’ve assumed more
than is good for one’s soul.
You’ll inform me you bled out a long time ago.
In Chicago.  In Reading.
Somewhere cold.  Winter
all the time, where people go
down to the frozen water
with an old crowbar
to bash the skin of the ice back to flowing current.
You were one of them,
weren’t you, with death
itching in the brain like a cloud of midges?
You won’t fall if I let go.
I never held you in my arms.

Backwards (For Saaid Shire) - Warsan Shire

The poem can start with him walking backwards into a room.

He takes off his jacket and sits down for the rest of his life;

that's how we bring Dad back.

I can make the blood run back up my nose, ants rushing into a hole.

We grow into smaller bodies, my breasts disappear,

your cheeks soften, teeth sink back into gums.

I can make us loved, just say the word.

Give them stumps for hands if even once they touched us without consent,

I can write the poem and make it disappear.

Step-Dad spits liquor back into glass,

Mum's body rolls back up the stairs, the bone pops back into place,

maybe she keeps the baby.

Maybe we're okay kid?

I'll rewrite this whole life and this time there'll be so much love,

you won't be able to see beyond it.

You won't be able to see beyond it,

I'll rewrite this whole life and this time there'll be so much love.

Maybe we're okay kid,

maybe she keeps the baby.

Mum's body rolls back up the stairs, the bone pops back into place,

Step-Dad spits liquor back into glass.

I can write the poem and make it disappear,

give them stumps for hands if even once they touched us without consent,

I can make us loved, just say the word.

Your cheeks soften, teeth sink back into gums

we grow into smaller bodies, my breasts disappear.

I can make the blood run back up my nose, ants rushing into a hole,

that's how we bring Dad back.

He takes off his jacket and sits down for the rest of his life.

The poem can start with him walking backwards into a room.

MOONLESS NIGHT - Louise Glück

A lady weeps at a dark window.

Must we say what it is? Can’t we simply say

a personal matter? It’s early summer;

next door the Lights are practicing klezmer music.

A good night: the clarinet is in tune.

As for the lady--she’s going to wait forever;

there’s no point in watching longer.

After awhile, the streetlight goes out.

But is waiting forever

always the answer? Nothing

is always the answer; the answer

depends on the story.

Such a mistake to want

clarity above all things. What’s

a single night, especially

one like this, now so close to ending?

On the other side, there could be anything,

all the joy in the world, the stars fading,

the streetlight becoming a bus stop.

Norris Cancer Institute - Sholeh Wolpé

He, dying.

Air dancing, sun shining

somewhere out there.

And I walking the corridors, looking

for an exit.

Walking Around With A Broken Umbrella - Noor Hindi

Because sneezing my emotions onto the fibers of your

Kleenex isn’t working, I’ve spent my days punching

mailboxes, and taking victory laps around childhood

graveyards. I know you think I resemble a Sour Patch

Kid, that my thoughts are just silly string. Maybe my

brain twitches too much and maybe I was born inside

of a teardrop. I’m all passion. But to me, you are the sun

and I’m hanging my thoughts on a clothesline for you.

If I told you to disentangle our straw house, if I told you

that I feel like a puddle that is gliding towards a sewer,

what would you say? If I asked you to set fire to the world

using only the warmth of our hands, would you do it?

                                                   *

Yesterday, I became so angry that I ate a quesadilla. Then I

smashed my desk with a snow globe. I once cried for three

days about a purple butterfly kite that refused to fly. Weeks

later, I sobbed at our toaster for burning my optimism,

and when you called me unstable, I kicked our floor pantry

just to prove you right. It was inevitable. You would spit me

out as if I was a watermelon seed. You would ask me three

times a day how I felt about broken backspaces, but my eyes

were already decomposing. Days expired. I was the rotting Jack

O’ Lantern left outside our door. Every time you told me a

truth, I used a magnifying glass to find all of your potholed

lies. Eventually, I fell silent watching the image of you,

dad, melt like the icicles that later formed on our house

gutters. I tried to hold them once, but they only burned my hands.