a haiku about you - lc

i do not need a

flower’s petals to know that

you do not love me

HURLING CROWBIRDS AT MOCKINGBARS - Buddy Wakefield

If we were created in God’s image

then when God was a child

he smushed fire ants with his fingertips

and avoided tough questions.

There are ways around being the go-to person.

Even for ourselves.

Even when the answer is clear

like the holy water gentiles were drinking

when they realized

“Forgiveness is the release of all hope for a better past.”

I thought those were chime shells in your pocket

so I chucked a quarter at it

hoping to hear some part of you respond on a high note.

You acted like I was hurling crowbirds at mockingbars

then you abandoned me for not making sense.

Evidently I don’t experience things as rationally as you do.

For example, I know mercy

when I have enough money to change the jukebox

at a gay bar.

You know mercy whenever

someone shoves a stick of morphine

straight up into your heart.

Goddamn it felt amazing

the days you were happy to see me.

So I smashed a beehive against the ocean

to try and make our splash last longer.

Remember all the honey

had me looking like a jellyfish ape

but you walked off the water

in a porcupine of light, strands of gold

drizzled out to the tips of your wasps.

This is an apology letter to the both of us

for how long it took me to let things go.

It was not my intention to make such a production

of the emptiness between us,

playing tuba on the tombstone of a soprano

to try and keep some dead singer’s perspective alive.

It’s just that I could have swore you sung me a love song back there

and that you meant it

but I guess some people just chew with their mouth open.

So I ate ear plugs alive with my throat, hoping they’d get lodged

deep enough inside the empty spots that I wouldn’t have to hear you

leaving, so I wouldn’t have to listen to my heart keep saying

all my eggs were in a basket of red flags, all my eyes to a bucket

of blindfolds in the cupboard with the muzzles and the gauze.

I didn’t mean to speed so far out and off, trying to drive

your nickels to a well

when you were happy to let those wishes drop.

But I still show up for gentleman practice

in the company of lead dancers

hoping their grace will get stuck in my shoes.

Is that a handsome shadow on my breath, sweet woman,

or is it a cattle call in a school of fish? Still

dance with me. Less like a waltz for panic,

more for the way we’d hoped to swing

the night we took off everything

and we were swinging for the fences.

Don’t hold it against my love. You know I wanna breathe deeper

than this. I didn’t mean to look so serious, didn’t mean

to act like a filthy floor, didn’t mean to turn us both

into some cutting board

but there were knives stuck

in the words where I came from.

Too much time in the back of my words.

I pulled knives from my back and my words.

I cut trombones from the moment you slipped away.

And I know it left me lookin’ like a knife fight, lady.

Boy I know it left me feelin’ like a shotgun shell.

You know I know I might’ve gone and lost my breath

but I wanna show you how I found my breath to death.

It was buried under all the wind instruments

hidden in your castanets. Goddamn. If you ever wanna know

how it felt when you left, if you ever wanna come inside

just knock on the spot

where I finally pressed stop

playing musical chairs with your exit signs.

I’m gonna cause you a miracle

when you see the way I kept God’s image alive.

“Forgiveness is for anyone

who needs safe passage through my mind.”

If I really was created in God’s image

then when God was a boy

he wanted to grow up to be a man.

A good man.

And when God was a man - a good man - he started

telling the truth in order to get honest responses.

He’d say,

Yeah, I know… I really should’ve worn my cross.

Again. But I don’t wanna scare the gentiles off.

That is not what I came here to do.

He said,

I’m pretty sure

I just came here to love you.

The Art of Disappearing - Naomi Shihab Nye

When they say Don't I know you?

say no.

When they invite you to the party

remember what parties are like

before answering.

Someone telling you in a loud voice

they once wrote a poem.

Greasy sausage balls on a paper plate.

Then reply.

If they say We should get together

say why?

It's not that you don't love them anymore.

You're trying to remember something

too important to forget.

Trees. The monastery bell at twilight.

Tell them you have a new project.

It will never be finished.

When someone recognizes you in a grocery store

nod briefly and become a cabbage.

When someone you haven't seen in ten years

appears at the door,

don't start singing him all your new songs.

You will never catch up.

Walk around feeling like a leaf.

Know you could tumble any second.

Then decide what to do with your time.

FLIGHT - J.E. Foerster

As a child I tossed

all my imaginary friends

out the window of a fast moving train

because I wanted to feel my fist

break open as I freed them,

as each of their bodies

whipped against the siding,

their insides: snow

dispersing into wind,

their little heads rolling

across the yellow plains.

Because I believed they would return.

But none have since.

Not even the ones I didn’t love.

1988 - Andrea Gibson

It was the year your mother

put her cigarette out on your arm.

The year you forgave her so hard

you stopped crying for good.

I was on the other side of the world

watching my father shine his knives.

I was trying to get the nerve to tell him

who to kill.

But he never figured out

there was someone to kill.

Collected knives like art

and hung them on our walls.

That autumn I made a person

by stuffing a pile of dead leaves

into an old pair of clothes.

Maybe you did too. Maybe

you found a pumpkin for a head

and dug it hollow with your hands.

Friend, if memories had been seeds

we could have chosen not to plant

do you think we would have ever found each other?

Do you believe in the magnet of scars? I believe

people who have been through hell

will build their love from the still burning coals.

Our friendship is a well-heated home

where we always agree on what is art

and what is something to sharpen

and hold in our ready hands.

CONVERSATION WITH A STONE - Wisława Szymborska

I knock at the stone's front door.

“It's only me, let me come in.

I want to enter your insides,

have a look round,

breathe my fill of you.”

“Go away,” says the stone.       

“I'm shut tight.

Even if you break me to pieces,

we'll all still be closed.

You can grind us to sand,

we still won't let you in.”

I knock at the stone's front door.

“It's only me, let me come in.

I've come out of pure curiosity.

Only life can quench it.

I mean to stroll through your palace,

then go calling on a leaf, a drop of water.

I don't have much time.

My mortality should touch you.”

“I'm made of stone,” says the stone,

“and must therefore keep a straight face.

Go away.

I don't have the muscles to laugh.”

I knock at the stone's front door.

“It's only me, let me come in.

I hear you have great empty halls inside you,

unseen, their beauty in vain,

soundless, not echoing anyone's steps.

Admit you don't know them well yourself.”

“Great and empty, true enough,” says the stone,

“but there isn't any room.

Beautiful, perhaps, but not to the taste

of your poor senses.

You may get to know me, but you'll never know me through.

My whole surface is turned toward you,

all my insides turned away.”

I knock at the stone's front door.

“It's only me, let me come in.

I don't seek refuge for eternity.

I'm not unhappy.

I'm not homeless.

My world is worth returning to.

I'll enter and exit empty-handed.

And my proof I was there

will be only words,

which no one will believe.”

“You shall not enter,” says the stone.

“You lack the sense of taking part.

No other sense can make up for your missing sense of taking part.

Even sight heightened to become all-seeing

will do you no good without a sense of taking part.

You shall not enter, you have only a sense of what that sense

      should be,

only its seed, imagination.”

I knock at the stone's front door.

“It's only me, let me come in.

I haven't got two thousand centuries,

so let me come under your roof.”

“If you don't believe me,” says the stone,

“just ask the leaf, it will tell you the same.

Ask a drop of water, it will say what the leaf has said.

And, finally, ask a hair from your own head.

I am bursting with laughter, yes, laughter, vast laughter,

although I don't know how to laugh.”

I knock at the stone's front door.

“It's only me, let me come in.”

“I don't have a door,” says the stone.

Popular Romance - Paul Guest

To hum in a smoke-dank alley a song by Elvis

was not the height of my love for you. To turn

my arm from its socket like a hateful thing

was not devotion only. To speak your name

like a spell to my imagined foes was not

peace, no, not ever. Rather, you were a stone

I licked and pretended to eat. You were

ever a dream of falling. An odor of smoke.

You were the design of my worst

crimes. What I stole for love added up.

It added up to nothing. To the air perfumed

by an absent woman. To a box

filled with crushed chalk. God save me

from the stars, once and for all—

I have had enough. Let me love anything

but that: let me go free and dream

of green oceans and the surf

that batters some other world to sleeplessness.

O. It is enough to whisper only

this. To speak to the flame in your breast

and hear nothing else. Once

I believed I could possess

what touched you: the worn sweater,

or the song on the radio

that meant nothing and all in that instant.

Against your door I pressed

my ear, and heard nothing, the whisper

of water, maybe, a breath of cool air—

the gossip of your absence—

and nothing in me could knock or wait,

and all around me the night

spread like water through a rag,

and I let my hands drop whatever they held.

The Fear of Oneself - Sharon Olds

As we get near the house, taking off our gloves,

the air forming a fine casing of

ice around each hand,

you say you believe I would hold up under torture

for the sake of our children. You say you think I have

courage. I lean against the door and weep,

the tears freezing on my cheeks with brittle

clicking sounds.

I think of the women standing naked

on the frozen river, the guards pouring

buckets of water over their bodies till they

glisten like trees in an ice storm.

I have never thought I could take it, not even

for the children. It is all I have wanted to do,

to stand between them and pain. But I come from a

long line

of women

who put themselves

first. I lean against the huge dark

cold door, my face glittering with

glare ice like a dangerous road,

and think about hot pokers, and goads,

and the skin of my children, the delicate, tight,

thin, top layer of it

covering their whole bodies, softly

glimmering.

THE MAN WHO NEVER LOSES HIS BALANCE - Stephen Dunn

He walks the high wire in his sleep.

The tent is blue, it is perpetual

afternoon. He is walking between

the open legs of his mother

and the grave. Always. The audience knows this

is out of their hands. The audience

is fathers whose kites are lost, children

who want to be terrified into joy.

He is so high above them, so capable

(with a single, calculated move)

of making them care for him

that he's sick of the risks

he never really takes.

The tent is blue. Outside is a world

that is blue. Inside him

a blueness that could crack

like china if he ever hit bottom.

Every performance, deep down,

he tries one real plunge

off to the side, where the net ends.

But it never ends.

After Years - Ted Kooser

Today, from a distance, I saw you

walking away, and without a sound

the glittering face of a glacier

slid into the sea. An ancient oak

fell in the Cumberlands, holding only

a handful of leaves, and an old woman

scattering corn to her chickens looked up

for an instant. At the other side

of the galaxy, a star thirty-five times

the size of our own sun exploded

and vanished, leaving a small green spot

on the astronomer's retina

as he stood in the great open dome

of my heart with no one to tell.

a wild, fresh wind blowing... - Charles Bukowski

I should not have blamed only my father, but,

he was the first to introduce me to

raw and stupid hatred.

he was really best at it: anything and everything made him

mad—things of the slightest consequence brought his hatred quickly

to the surface

and I seemed to be the main source of his

irritation.

I did not fear him

but his rages made me ill at heart

for he was most of my world then

and it was a world of horror but I should not have blamed only

my father

for when I left that... home... I found his counterparts

everywhere: my father was only a small part of the

whole, though he was the best at hatred

I was ever to meet.

but others were very good at it too: some of the

foremen, some of the street bums, some of the women

I was to live with,

most of the women, were gifted at

hating—blaming my voice, my actions, my presence

blaming me

for what they, in retrospect, had failed

at.

I was simply the target of their discontent

and in some real sense

they blamed me

for not being able to rouse them

out of a failed past; what they didn't consider was

that I had my troubles too—most of them caused by

simply living with them.

I am a dolt of a man, easily made happy or even

stupidly happy almost without cause

and left alone I am mostly content.

but I've lived so often and so long with this hatred

that

my only freedom, my only peace is when I am away from

them, when I am anywhere else, no matter where—

some fat old waitress bringing me a cup of coffee

is in comparison

like a fresh wild wind blowing.

LONELY - Natalie Wee

I have taken to being in public places

by myself. My cleverest trick was

to hold intimacy against bone

without telling it my name. Like any

unloved thing, I don’t know if I’m real

when I’m not being touched.

Because who am I but who

I am to someone else?

I know now the ways of nameless

birds & the cost of a life built

from waiting. I go to any window

I please, bare-handed, hovering

a/part. Watching when devotion

becomes duty. When soft becomes

stranger. Look. I was soft once, &

then I was a stranger to

myself. No tender mouth is worth

a slow death. No heart is worth

the belly of a beast. The secret is:

tender attends the heels of bruises.

The secret is: be bigger

than your alone.

Thank-You Note - Wisława Szymborska (Translated from the Polish by Joanna Trzeciak)

I owe a lot

to those I do not love.

Relief in accepting

others care for them more.

Joy that I am not

wolf to their sheep.

Peace be with them

for with them I am free

––love neither gives

nor knows how to take these things.

I don't wait for them

from window to door.

Almost as patient

as a sun dial,

I understand

what love never could.

I forgive

what love never would.

Between rendezvous and letter

no eternity passes,

only a few days or weeks.

Our trips always turn out well:

concerts are enjoyed,

cathedrals toured,

landscapes in focus.

And when seven rivers and mountains

come between us,

they are the rivers and mountains

found on any map.

The credit's theirs

if I live in three dimensions,

in a non-lyrical and non-rhetorical space,

with a real, ever-shifting horizon.

They don't even know

how much they carry in their empty hands.

"I owe them nothing,"

love would have said

on this open topic.

The More Loving One - W. H. Auden

Looking up at the stars, I know quite well

That, for all they care, I can go to hell,

But on earth indifference is the least

We have to dread from man or beast.

How should we like it were stars to burn

With a passion for us we could not return?

If equal affection cannot be,

Let the more loving one be me.

Admirer as I think I am

Of stars that do not give a damn,

I cannot, now I see them, say

I missed one terribly all day.

Were all stars to disappear or die,

I should learn to look at an empty sky

And feel its total dark sublime,

Though this might take me a little time.

Depression, Too, Is a Kind of Fire - Taylor Mali

I’m an idiot because once

before we were married she asked me whether I knew

that we would not be having children

if we did get married, and I said yes.

And because she knew I was lying,

she asked if I was really okay with that.

And because I’m an idiot I said yes again.

And once during a fight, not married

more than two years, she said she felt like my first wife,

and I, like an idiot, assured her that she was.

She worked out at the gym five times a week

and smoked as many packs of ultra lights,

and I’m an idiot because when I asked her why,

She said, Because I hate myself and I want to die.

And I laughed and said something I don’t recall,

something completely and utterly insufficient.

From the roof of our apartment,

I saw 40 or 50 people jump from the towers

on a Tuesday morning—we used to be able to see them to the south,

just as, to the north, we can still see

(and by “we” I guess I mean now just me)

the Empire State Building,

which still steeps me in gratitude

because I’m an idiot—

out of the smoke with arms flailing.

And I swear I saw a perfect swan.

And I was going to write a poem

about how fire is the only thing

that can make a person jump out a window.

And maybe I’m an idiot for thinking I could have saved her—

call me her knight in shattered armor—

could have loved her more,

or told the truth about children.

But depression, too, is a kind of fire.

And I know nothing of either.

LENS - Andrea Gibson

I’ve been practicing gratitude.

I’ve been skipping entire weeks.

Practicing a wider lens. Listening

for the bully’s heartbeat

Hearing it in my own chest.

I’ve been remembering the time I cried

in a cloud of tear gas at a peaceful protest.

How I decided I was too soft to last,

and then I decided to be softer.

I’ve been remembering way way back

to the moment they told me Jesus walked on water.

How I knew whatever I’d grow up to believe

I would never try to wrestle a miracle

away from anyone’s reason to live.

I’ve been remembering how I wrestled a miracle

away from your reason to live.

If only shame could wash me clean,

but that is never how healing works.

Nobody ever won anything from anyone

thinking the whole world was out of their league.

I’m sorry you know

what I look like when no one is looking.

I don’t expect anyone to believe

in justice and forgiveness at the same time.

If it’s any consolation

I feel like a ferris wheel in a snowbank

twenty years after they shut down the park.

If it’s any consolation I’ve been living in my head

whenever anyone tells me I have a good heart.

And I think about you. I think about you.